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Works by
bell hooks
(Aka Gloria Jean Watkins)
[September 25, 1952 - ]

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Profile created January 5, 2007
  • Happy to Be Nappy (1999)
    Celebrates the joy and beauty of nappy hair.  Baby-Pre-school

  • Be Boy Buzz (2002)
    I be boy. All bliss boy. All fine beat. All beau boy. Beautiful. Famed author bell hooks infuses a sparse and joyous text with the essence and energy of what it means to be a boy-all boy. Chris Raschka's sentient illustrations buzz with a force that is the perfect match for this powerful poetry. bell hooks is the author of a number of groundbreaking books, including Happy to Be Nappy, her first book for children, and Yearning, winner of the Before Columbus Foundation's American Book Award.  Ages 4 - 8

  • Homemade Love (2002) with Shane W. Evans, Illustrator -- winner Before Columbus Foundation's American Book Award
     Her Mama calls her Girlpie-a sweet treat, homemade with love. And when Girlpie makes a mistake, the love of her mother and father lets her pick up the pieces and make everything right again. Shane W. Evans's resplendent artwork teems with 'homemade love,' one of the tender nicknames award-winning author bell hooks gives her young heroine. bell hooks is the author of a number of groundbreaking books.  Ages 4 - 8.

  • Skin Again (2004) with Chris Raschka, Illustrator
    The skin I'm in is just a covering. It cannot tell my story. The skin I'm in is just a covering. If you want to know who i am You have got to come inside And open your heart way wide. Celebrating all that makes us unique and different, Skin Again offers new ways to talk about race and identity. Race matters, but only so much-what's most important is who we are on the inside. Looking beyond skin, going straight to the heart, we find in each other the treasures stored down deep. Learning to cherish those treasures, to be all we imagine ourselves to be, makes us free. Skin Again celebrates this freedom.  Ages 4 - 8

  • Be Love, Baby Love (2007 release) with Laura Freeman, Illustrator
    Ages 4 - 8

  • Ain't I a Woman?:  Black Women and Feminism (1981)
    Examines the impact of sexism on Black women during slavery, the historic devaluation of Black womanhood, black male sexism, racism within the recent women's movement, and Black women's involvement with feminism.

  • Feminist Theory: From Margin to Center (1984)
    This carefully argued and powerfully inspirational work is a comprehensive examination of the core issues of sexual politics, including political solidarity among women, men as partners in struggle, and the feminist movement to end violence. Offers a vision of feminism rooted in compassion, respect and integrity.

  • Talking Back: Thinking Feminist, Thinking Black (1989)
    Writing is a healing act of power for this woman who grew up in an "old school" Southern Black world where children were meant to be seen and not heard. "Talking back" was punished with silence. But in the world of woman-talk, where the everyday rules of how to live and how to act were established, hooks made language her birthright. When it comes to bigotry, there is no mincing words: bell hooks talks back.

  • Yearning: Race, Gender, and Cultural Politics (1990)
    For African-Americans, our postmodern condition is characterized by continued displacement, profound alienation, and despair. This hopelessness creates a yearning for insight and strategies for change that can renew spirits and reconstruct grounds for our black liberation struggle. The overall impact of postmodernism is that many other groups now share with black folks a sense of deep uncertainty even if it is not informed by shared circumstance. Radical postmodernism could be fertile ground for the construction of empathy-ties that would serve as a base for solidarity and condition." -bell hooks from Postmodern Blackness

  • Breaking Bread:  Insurgent Black Intellectual Life (1991) with Cornel West
    In this provocative and captivating dialogue, hooks and Cornel West grapple with the dilemmas, contradictions, and joys of Black intellectual life. Creating a spiritual, progressive, feminist, and ultimately organic definition of Black intellectuality, they passionately discuss issues ranging in subject matter from theology and the Left, to contemporary culture music, film and fashion.

  • Black Looks: Race and Representation (1992)
    The critical essays in this collection are gestures of defiance. They represent my political struggle to push against the boundries of the image, to find words that express what I see, especially when I am looking in ways that move against the grain, when I am seeing things that most folks want to simply believe are not there." - bell hooks

  • A Woman's Mourning Song (1993)
    dr. hooks waxes poetic about death. This book includes one essay.

  • Sisters of the Yam: Black Women and Self-Recovery (1993)
    hooks addresses the inner well-being of black women and how their development is shaped by the daily assault of institutionalized structures of domination. Tackling such issues as addiction, truth-telling, work, grieving, spirituality, eroticism, reconciliation and forgiveness, community, and estrangement from nature, hooks shares numerous strategies for self-recovery that can heal individuals and empower effective struggle against racism, sexism, and consumer capitalism.

  • Outlaw Culture: Resisting Representations (1994)
    bell hooks, one of America's leading black intellectuals, is also one of our most clear-eyed and penetrating analysts of culture. Outlaw Culture gives us hooks on many of the most important subjects of the contemporary scene, from date rape, censorship, and ideas of race and beauty, to gansta rap, the dilemmas of feminism, and the rise of black intellectuals. Using the mix of essays and sometimes highly personal dialogues for which she is well known, hooks takes on Spike Lee and Naomi Wolf, Malcolm X and Madonna, Camille Paglia, Jean-Michel Basquiat and Ice Cube, and the films The Bodygaurd and The Crying Game. She speaks movingly about male violence against women, about black self-hatred, and about the ways an oppressive society creates its outlaws.

  • Teaching to Transgress: Education As the Practice of Freedom (1994)
    In this book, bell hooks, one of America's leading black intellectuals, shares her philosophy of the classroom, offering ideas about teaching that fundamentally rethink democratic participation. Hooks advocates the process of teaching students to think critically and raises many concerns central to the field of critical pedagogy, linking them to feminist thought. In the process, these essays face squarely the problems of teachers who do not want to teach, of students who do not want to learn, of racism and sexism in the classroom, and of the gift of freedom that is, for hooks, the teacher's most important goal.

  • Art on My Mind: Visual Politics (1995)
    In Art on My Mind, bell hooks, a leading cultural critic, responds to the ongoing dialogues about producing, exhibiting, and criticizing art and aesthetics in an art world increasingly concerned with identity politics. Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.

  • killing rage: Ending Racism (1995)
    One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public discourse on race.Killing Rage speaks to this imbalance. These twenty-three essays are written from a black and feminist perspective, and they tackle the bitter difficulties of racism by envisioning a world without it. They address a spectrum of topics having to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; and internalized racism in movies and the media. And in the title essay, hooks writes about the "killing rage"-the fierce anger of black people stung by repeated instances of everyday racism-finding in that rage a healing source of love and strength and a catalyst for positive change.bell hooks is Distinguished Professor of English at City College of New York. She is the author of the memoir Bone Black as well as eleven other books. She lives in New York City.

  • Bone Black: Memories of Girlhood (1996)
    Stitching together girlhood memories with the finest threads of innocence, feminist intellectual bell hooks presents a powerfully intimate account of growing up in the South. A memoir of ideas and perceptions, Bone Black shows the unfolding of female creativity and one strong-spirited child's journey toward becoming a writer. She learns early on the roles women and men play in society, as well as the emotional vulnerability of children. She sheds new light on a society that beholds the joys of marriage for men and condemns anything more than silence for women. In this world, too, black is a woman's color-worn when earned-daughters and daddies are strangers under the same roof, and crying children are often given something to cry about. hooks finds good company in solitude, good company in books. She also discovers, in the motionless body of misunderstanding, that writing is her most vital breath.

  • Reel To Real: Race, Sex, and Class at the Movies (1996)
    Although it may not be the goal of every filmmaker, most of us learn something when we watch movies. They make us think. They make us feel. Occassionally they have the power to transform lives. In her book Reel To Real, bell hooks talks back to films she has watched, as a way to engage the pedagogy of cinema--the way film teaches its audience.

    bell hooks comes to film, not as a film critic but as a cultural critic, fascinated by the issues movies raise--the ways cinema depicts race, sex, and class. Reel To Real not only brings together hooks' classic essays on films such as Paris Is Burning or the infamous "Whose Pussy Is It" essay about Spike Lee's She's Gotta Have It, but also newer work on Pulp Fiction, Crooklyn and Waiting To Exhale. hooks also examines the world of independent cinema. Here, conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays, including a provocative piece on Larry Clark's Kids, to show the radical possiblity of cinema--that it can function subversively, as much as it functions to maintain the status quo.

  • Wounds of Passion: A Writing Life (1997)
    San Francisco Chronicle best-seller.Wounds of Passion is a memoir about writing, love, and sexuality. With her customary boldness and insight, Bell Hooks critically reflects on the impact of birth control and the women's movement on our lives. Resisting the notion that love and writing don't mix, she begins a fifteen-year relationship with a gifted poet and scholar, who inspires and encourages her. Writing the acclaimed book Ain't I a Woman: Black Women and Feminism at the age of nineteen, she begins to emerge as a brilliant social critic and public intellectual. Wounds of Passion describes a woman's struggle to devote herself to writing, sharing the difficulties, the triumphs, the pleasures, and the dangers. Eloquent and powerful, this book lets us see the ways one woman writer works to find her own voice while creating a love relationship based on feminist thinking. With courage and wisdom she reveals intimate details and provocative ideas, offering an illuminating vision of a writer's life.

  • remembered rapture: the writer at work (1999)
    With grace and insight, celebrated writer bell hooks untangles the complex personae of women writers. Born and raised in the rural South, hooks learned early the power of the written word and the importance of speaking her mind. Her passion for words is the heartbeat of this collection of essays. Remembered Rapture celebrates literacy, the joys of reading and writing, and the lasting power of the book. Once again, these essays reveal bell hooks's wide-ranging intellectual scope; she is a universal writer addressing readers and writers everywhere.

  • All About Love: New Visions (2000)
    "The word "love" is most often defined as a noun, yet...we would all love to better if we used it as a verb," writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, the renowned scholar, cultural critic, and feminist skewers our view of love as romance. In its place she offers a proactive new ethic for a people and a society bereft with lovelessness.

    As bell hooks uses her incisive mind and razor-sharp pen to explode the question "What is love?" her answers strike at both the mind and heart. In thirteen concise chapters, hooks examines her own search for emotional connection and society's failure to provide a model for learning to love. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for the individuals and for a nation. The Utne Reader declared bell hooks one of the "100 Visionaries Who Can Change Your Life." All About Love is a powerful affirmation of just how profoundly she can.

  • Feminism Is for Everybody: Passionate Politics (2000)
    A genuine feminist politics always brings us from bondage to freedom, from lovelessness to loving....There can be no love without justice.-from the chapter "To Love Again: The Heart of Feminism"

    In this engaging and provocative volume, bell hooks introduces a popular theory of feminism rooted in common sense and the wisdom of experience. Hers is a vision of a beloved community that appeals to all those committed to equality, mutual respect, and justice.

    hooks applies her critical analysis to the most contentious and challenging issues facing feminists today, including reproductive rights, violence, race, class, and work. With her customary insight and unsparing honesty, hooks calls for a feminism free from divisive barriers but rich with rigorous debate. In language both eye-opening and optimistic, hooks encourages us to demand alternatives to patriarchal, racist, and homophobic culture, and to imagine a different future.

    hooks speaks to all those in search of true liberation, asking readers to take look at feminism in a new light, to see that it touches all lives. Issuing an invitation to participate fully in feminist movement and to benefit fully from it, hooks shows that feminism-far from being an outdated concept or one limited to an intellectual elite--is indeed for everybody.

  • Where We Stand: Class Matters (2000)
    Where We Stand is a powerful new book by one of America's most admired critics and writers. For years we have turned to bell hooks-feminist, social thinker, memoirist, teacher-for her deeply felt ideas on women, race, culture, sexuality, and more recently on love and children. Now Bell Hooks talks about class-the 'elephant in the room'-the subject we all know is central to our culture and its problems but that hasn't been given the attention it so desperately needs.
    Why is it that the face of poverty in America is a black face, even though most of the thirty-six million poor in America are white? How do fantasies of wealth's power help keep the poor poor? What do black teens want, and how do they learn to want it? Are wealthy black Americans any more aware of class issues than wealthy whites? Why do we need so much money, after all?

    Bell Hooks talks about these subjects in her own style. Drawing on both her roots in Kentucky and her adventures with Manhattan coop boards, Where We Standis a successful black woman's reflection-personal, straight forward, and rigorously honest-on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

  • Salvation: Black People and Love (2001)
    Acclaimed visionary and intellectual bell hooks began her exploration of the meaning of love in American culture with the bestselling All About Love: New Visions. Here she continues her love song to the nation in the groundbreaking and soul-stirring Salvation: Black People and Love.

    Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of our most revered artists and leaders, the liberation movements of the 1950s, '60s, and '70s, or hip-hop and gangsta rap culture, hooks lets us know what love's got to do with it.

    Salvation is work that helps us heal -- and shows us how to create beloved American communities.

  • Communion: The Female Search for Love (2002)
    Renowned visionary and theorist bell hooks began her exploration of the meaning of love in American culture with the critically acclaimed All About Love: New Visions. She continued her national dialogue with the bestselling Salvation: Black People and Love. Now hooks culminates her triumphant trilogy of love with Communion: The Female Search for Love.

    Intimate, revealing, provocative, Communion challenges every female to courageously claim the search for love as the heroic journey we must all choose to be truly free. In her trademark commanding and lucid language, hooks explores the ways ideas about women and love were changed by feminist movement, by women's full participation in the workforce, and by the culture of self-help.

    Communion is the heart-to-heart talk every woman -- mother, daughter, friend, and lover -- needs to have.

  • Rock My Soul: Black People and Self-esteem (2003)
    World-renowned scholar and visionary bell hooks takes an in-depth look at one of the most critical issues of our time, the impact of low self-esteem on the lives of black people.

    Without self-esteem everyone loses his or her sense of meaning, purpose, and power. For too long, African Americans in particular have been unable to openly and honestly address the crisis of self-esteem and how it affects the way they perceive themselves and are perceived by others.

    In her most challenging and provocative book to date, bell hooks gives voice to what many black people have thought and felt, but seldom articulated. She offers readers a clear, passionate examination of the role self-esteem plays in the African-American experience in determining whether individuals or groups succeed or self-sabotage. She considers the reasons why even among "the best and brightest" students at Ivy League institutions "there were young men and women beset by deep feelings of unworthiness, of ugliness inside and outside."

    She listened to the stories of her students and her peers -- baby boomers who had excelled -- and heard the same sentiments, including deep feelings of inadequacy. With critical insight, hooks exposes the underlying truth behind the crisis: it has been extremely difficult to create a culture that promotes and sustains a healthy sense of self-esteem in African-American communities. With true brilliance, she rigorously examines and identifies the barriers -- political and cultural -- that keep African Americans from emotional well-being. She looks at historical movements as well as parenting and how we make and sustain community. She discusses the revolutionary role preventative mental health care can play in promoting and maintaining self-esteem.

    Blending keen intellectual insight and practical wisdom, Rock My Soul provides a blueprint for healing a people and a nation.

  • Teaching Community: A Pedagogy of Hope (2003)
    Ten years ago, bell hooks astonished readers with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites readers to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. bell hooks writes candidly about her own experiences. Teaching, she explains, can happen anywhere, any time - not just in college classrooms but in churches, in bookstores, in homes where people get together to share ideas that affect their daily lives. In Teaching Community bell hooks seeks to theorize from the place of the positive, looking at what works. Writing about struggles to end racism and white supremacy, she makes the useful point that "No one is born a racist. Everyone makes a choice." Teaching Community tells us how we can choose to end racism and create a beloved community. hooks looks at many issues-among them, spirituality in the classroom, white people looking to end racism, and erotic relationships between professors and students. Spirit, struggle, service, love, the ideals of shared knowledge and shared learning - these values motivate progressive social change. Teachers of vision know that democratic education can never be confined to a classroom. Teaching - so often undervalued in our society -- can be a joyous and inclusive activity. bell hooks shows the way. "When teachers teach with love, combining care, commitment, knowledge, responsibility, respect, and trust, we are often able to enter the classroom and go straight to the heart of the matter, which is knowing what to do on any given day to create the best climate for learning."

  • The Will to Change: Men, Masculinity, and Love (2003)
     Skin Again
    With the courage, honesty, and compassion that have made her one of America's most provocative authorities on modern culture, bell hooks takes on the interior lives of men and answers their most intimate questions about love.

    Everyone needs to love and be loved -- even men. In this groundbreaking book, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are -- whatever their age, ethnicity, or cultural persuasion.

    Written in response to the author's in-depth discussions with men who were inspired by her trilogy, All About Love, Salvation, and Communion, bell hooks's The Will to Change addresses maleness and masculinity in new and challenging ways. With trademark candor and fierce intelligence, hooks answers the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves. Only through this liberation will they lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women. Men can access these feelings by giving themselves permission to be vulnerable. As they grow more comfortable and start believing that it's okay to feel, to need, and to desire, they will thrive as equal partners in their intimate relationships.

    Whether they are straight or gay, black or white, The Will to Change helps men to reclaim the best part of themselves.

  • Space (2004)

  • We Real Cool: Black Men and Masculinity (2004)
    Black men are cool. But most books about black men miss the mark, making the same points-difficult childhood, white racism, poverty-they describe without meaningful explanation. bell hooks' brilliant new book We Real Cool: Black Men and Masculinity goes where everyone else has been unwilling to go. Without casting blame, hooks tells hard truths: black men are feared, admired, made the objects of sexual fantasy, envied, but rarely loved. Black men are hated, and hooks tells us why. In these critical essays, hooks examines what black males fear most (maternal sadism, loss, emasculation) and probes the depths of their longing for intimacy, for fathers, for meaningful relationships. Highlighting the value of a feminist approach to understanding black masculinity, hooks looks at the way patriarchal thought and action undermine black male self-esteem. With compassion and generosity, bell hooks contends that black men become loving individuals only as they accept full accountability for shaping their destiny. Taking as her starting point powerful writing on black masculinity from the sixties and seventies, bell hooks looks seriously at the problems black males face - both the ones not of their own making and the ones they create for themselves. In ten clear and provocative chapters, hooks offers a thorough examination of issues ranging from the trauma of childhood abandonment, parenting and black male violence, to work, education, sexuality, self-esteem, and spiritual recovery. We Real Cool offers a redemptive vision of black men and masculinity, one that is complex and multi-layered. This is the book that everyone seeking to understand black male identity must read.

  • Soul Sister: Women, Friendship, and Fulfillment (2005)
    Sisterhood is powerful, yet so is competition and antagonism between women. In Soul Sister bell hooks asks why, now that feminism has begun to make inroads in so many spheres, women seem more hostile and less understanding of each other; and what, if anything, feminists should do about this crisis.

    In Soul Sister, hooks considers the causes for increased tension between women – including widening economic gaps, persistent racism, and homophobia – and shows how the media plays a role in creating divisions between women. She also suggests strategies for reconciliation, and proposes ways to increase harmony and acceptance.

    Like most of hooks' more recent titles on love and relationships, Soul Sister is conversational, direct, powerful, spiritual and written for a multiracial audience.

  • Homegrown: Engaged Cultural Criticism (2006) with Amalia Mesa-Bains
    Mainstream media has made a concerted effort to polarize African Americans and Latinos, emphasizing differences in culture, religion, and values. In Homegrown: Engaged Cultural Criticism, two revolutionary thinkers invite us to reexamine and challenge this politically popular binary. As renowned thinker and writer bell hooks and MacArthur Award-winning artist Amalia Mesa-Bains confront the challenges of building cross-cultural and cross-issue coalitions, they also speak to the viability of an oppositional politic shared by African Americans and Latinos. Listen in on the conversation as they share the ways their work, families, and cultural experiences have shaped their political activism, teaching, and artistic expression.

  • Plantation Culture (2007 release)

  • When Angels Speak of Love (2007)
    When Angels Speak of Love heralds the debut of a major new poet: bell hooks. World renowned for her courageous, provocative intellectual writing and her alluring charisma, hooks poetically engages the erotic imagination -- creating a tapestry of words that are sensual, lush, and profoundly inspiring. In this beautiful new collection, hooks illuminates our experiences with love -- tracing the link between seduction and surrender; the intensity of desire; and the anguish of death.

See also:
  • Black Male: Representations of Masculinity in Contemporary American Art (1995) by Jean-Michel Basquia and Thelma Golden

  • Talking About a Revolution: Interviews with Michael Albert, Noam Chomsky, Barbara Ehrenreich, bell hooks, Peter Kwong, Winona LaDuke, Manning Marable, Urvashi Vaid, and Howard Zinn (1998)
    On its twentieth anniversary, the South End Press collective has gathered the left's most prominent intellectuals for a wide-ranging discussion of the past twenty years and the next twenty years of progressive social movements in the United States. In nine accessible, personal interviews, Chomsky, Zinn, Hooks, Ehrenreich, Marable, and the other activists and writers included let readers know their most deeply held beliefs and hopes for the progressive movements they have worked to build over the last two decades. Everyone who would like to see a revitalized, more effective movement for social change in the United States whether feminist, anti-racist, populist, anarchist, socialist, or union activist will want to read Talking About a Revolution. Talking About a Revolution offers an easy and lively introduction to the ideas of some of the leading intellectuals on the left today.An accessible collection of original interviews with the left's best intellectuals and activists.

  • Black Genius: African American Solutions to African American Problems (1999), Clyde Taylor, Manthia Diawara, Regina Austin, Walter Mosley, eds.
    Thirteen of black America's most eloquent and accomplished voices share their visions for a self-sufficient, self-determined future. Black Genius is both an extraordinary forum of distinguished individuals who have demonstrated intelligence, courage, and the ability to communicate, and a project for sharing among people interested in the future of people of African American descent. Originally a series of community conversations where "visionaries with solutions" explored the role of black people in shaping cultural consciousness, conceived by Walter Mosley and sponsored by the New York University Africana Studies Program, the book of Black Genius reprints these lectures and many responses to questions. The speakers focus on such issues as economics, political power, work, authority, and culture, offering not only broad perspectives but concrete, achievable solutions. It is an exceptional, unique colloquy of voices, one that points the way to enriching black life in the twenty-first century. The speakers: Angela Davis, Anna Deveare Smith, bell hooks, Farai Chideya, George Curry, Haki Madhubuti, Jocelyn Elders, M.D., Julianne Malveaux, Melvin van Peebles, Randall Robinson, Spike Lee, Stanley Crouch, and Walter Mosley.

  • Imagine: What America Could Be in the 21st Century (2000) by Marianne Williamson
    In the realm of highest possibilities, what could America look like in 50 years? What kinds of changes would have to occur in order for that to happen? How can an individual or an institution best contribute to such change? And what is the deeper story trying to emerge within this nation and the world?

    Best-selling author Marianne Williamson posed these questions to nearly 40 of her well-known contemporaries, inviting them to open their imaginations to all the possibilities that could exist. Imagine is their collective response: a powerful, provocative, and compelling vision of a better America and a prescriptive call to action for significant positive change.

    Between the covers of Imagine, an unprecedented assembly of America's foremost visionaries, academics, activists, and spiritual leaders -- including Anne Lamott, bell hooks, Caroline Myss, Dean Ornish, Deepak Chopra, John Gray, John Robbins, Marianne Williamson, Neale Donald WalschSarah Ban Breathnach, and Thomas Moore -- addresses issues of personal, internal transformation as well as institutional, external change, recognizing that the internal and external are not separate but intertwined, that we must find peace within ourselves before we can change the world around us.

    Today, America is plagued by darkness, home to a plethora of problems and millions of troubled souls. Imagine moves beyond the present, aiming a shining beacon of light on a brighter tomorrow.

    All author royalties from the sales of this book will be donated to the Global Renaissance Alliance, a nonprofit organization dedicated to imagining and working toward a better world for our children and our children's children.

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