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Works by
Charlotte Brontė
(Writer)
[1816 - 1855]

Profile created February 10, 2007
Fiction
  • Jane Eyre (1847)
    Orphaned into the household of her Aunt Reed at Gateshead, subject to the cruel regime at Lowood charity school, Jane Eyre none the less emerges unbroken in spirit and integrity. How she takes up the post of governess at Thornfield Hall, meets and loves Mr Rochester and discovers the impediment to their lawful marriage are elements in a story that transcends melodrama to portray a woman's passionate search for a wider and richer life than that traditionally accorded to her sex in Victorian society.

  • Shirley (1849)
    Following the tremendous popular success of Jane Eyre, which earned her lifelong notoriety as a moral revolutionary, Charlotte Brontė vowed to write a sweeping social chronicle that focused on "something real and unromantic as Monday morning." Set in the industrializing England of the Napoleonic wars and Luddite revolts of 1811-12, Shirley (1849) is the story of two contrasting heroines. One is the shy Caroline Helstone, who is trapped in the oppressive atmosphere of a Yorkshire rectory and whose bare life symbolizes the plight of single women in the nineteenth century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.

    A work that combines social commentary with the more private preoccupations of Jane Eyre, Shirley demonstrates the full range of Brontė's literary talent. "Shirley is a revolutionary novel," wrote Brontė biographer Lyndall Gordon. "Shirley follows Jane Eyre as a new exemplar--but so much a forerunner of the feminist of the later twentieth century that it is hard to believe in her actual existence in 1811-12. She is a theoretic possibility: what a woman might be if she combined independence and means of her own with intellect. Charlotte Brontė imagined a new form of power, equal to that of men, in a confident young woman [whose] extraordinary freedom has accustomed her to think for herself....Shirley [is] Brontė's most feminist novel."

  • Villette (1853)
    Arguably Brontė's most refined and deeply felt work, Villette draws on her profound loneliness following the deaths of her three siblings. Lucy Snowe, the narrator of Villette,flees from an unhappy past in England to begin a new file as a teacher at a French boarding school in the great cosmopolitan capital of Villette. Soon Lucy's struggle for independence is overshadowed by both her freindship with a wordly English doctor and her feelings for an autocratic schoolmaster. Brontė's strikingly modern heroine must decide if there is any man in her society with whom she can live and still be free.

  • The Professor (1857)
    Book Description
    The Professor was the first novel that Charlotte Brontė completed. Rejected by the publisher who took on the work of her sisters in 1846--Anne's Agnes Grey and Emily's Wuthering Heights--it remained unpublished until 1857, two years after Charlotte Brontė's death. Like Villette (1853), The Professor is based on her experiences as a language student in Brussels in 1842. Told from the point of view of William Crimsworth, the only male narrator that she used, the work formulated a new aesthetic that questioned many of the presuppositions of Victorian society. Brontė's hero escapes from a humiliating clerkship in a Yorkshire mill to find work as a teacher in Belgium, where he falls in love with an impoverished student-teacher, who is perhaps the author's most realistic feminist heroine. The Professor endures today as both a harbinger of Brontė's later novels and a compelling read in its own right.

        "The middle and latter portion of The Professor is as good as I can write," proclaimed Brontė. "It contains more pith, more substance, more reality, in my judgment, than much of Jane Eyre."

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Charlotte Brontė
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Collin Kelley
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