Works by
Jane Smiley
(Writer)
[September 21, 1949 - ]

As Editor

• Best New American Voices 2006: Fresh Fiction from the Top Writing Programs (2005), Jane Smiley, ed. with John Kulka and Natalie Danford, series eds.
  The new volume features a new crop of promising stories selected by renowned novelist Jane Smiley, who continues the tradition of identifying the best young writers on the cusp of their careers. Culled from hundreds of writing programs like the Iowa Writers' Workshop and Johns Hopkins and from summer conferences like Sewanee and Bread Loaf-and including a complete list of contact information for these programs-this exciting collection showcases tomorrow's literary stars.

• The Best American Short Stories 1995 (1995)
  Every autumn, readers of short stories eagerly look forward to the chance to discover their favorite writers and new talents in The Best American Short Stories. Last year's collection marched on to bestseller lists across the country and met with acclaim from critics who declared it "a brilliant work of art." Marking the eightieth anniversary of the series, the 1995 volume portrays the stunning range of American life in all its various colors, styles, regions, and concerns. This year's guest editor, Jane Smiley, selected stories without knowing their authors' identities. Drawn to tales with "a sharp taste," she gathered a piquant sampling of new voices as well as rich works by such masters as Don DeLillo, Ellen Gilchrist, Thom Jones, Joy Williams, Stephen Dobyns, Kate Braverman, and Jamaica Kincaid. Smiley was attracted to "an element of the exotic" in the tapestry of ordinary lives, and the stories in this collection reveal the powerful dramas constantly unfolding beneath the surface

Fiction

• Ten Days in the Hills (2007)
  A glorious new novel from the Pulitzer Prize winner: a big, smart, bawdy tale of love and war, sex and politics, friendship and betrayal—and the allure of the movies. With Giovanni Boccaccio’s Decameron as her model, Jane Smiley takes us through ten transformative, unforgettable days in the Hollywood hills.
  
  It is the morning after the 2003 Academy Awards. Max—an Oscar-winning writer/director whose fame has waned—and his lover, Elena, luxuriate in bed, still groggy from last night’s red-carpet festivities. They are talking about movies, talking about love, and talking about the war in Iraq, recently begun. But soon their house will be full of guests, and guests like these demand attention. There is Max’s ex-wife, “the legendary Zoe Cunningham,” a dazzling half-Jamaican movie star, with her new lover, the enigmatic healer, Paul (fraudulent? enlightened?). Max’s agent, Stoney, a perhaps too easygoing version of his legendary agent father, can’t stay away, and neither can Zoe and Max’s daughter, Isabel, though she would prefer to maintain her hard-won independence. And of course there is the next-door neighbor, Cassie, who seems to know everyone’s secrets.
  
  As they share their stories of Hollywood past and present, watch films in Max’s opulent screening room, gossip by the swimming pool, and tussle in the many bedrooms, the tension mounts, sparks fly, and Smiley delivers an exquisitely woven, virtuosic work—a Hollywood novel as only she could fashion it, told with bravura, rich with delightful characters, spiced with her signature wit. It is a joyful, sexy, and wondrously insightful pleasure.

• Good Faith (2003)
  Jane Smiley brings her extraordinary gifts—comic timing, empathy, emotional wisdom, an ability to deliver slyly on big themes and capture the American spirit—to the seductive, wishful, wistful world of real estate, in which the sport of choice is the mind game. Her funny and moving new novel is about what happens when the American Dream morphs into a seven-figure American Fantasy.
  
  Joe Stratford is someone you like at once. He makes an honest living helping nice people buy and sell nice houses. His not-very-amicable divorce is finally settled, and he’s ready to begin again. It’s 1982. He is pretty happy, pretty satisfied. But a different era has dawned; Joe’s new friend, Marcus Burns from New York, seems to be suggesting that the old rules are ready to be repealed, that now is the time you can get rich quick. Really rich. And Marcus not only knows that everyone is going to get rich, he knows how. Because Marcus just quit a job with the IRS.
  
  But is Joe ready for the kind of success Marcus promises he can deliver? And what’s the real scoop on Salt Key Farm? Is this really the development opportunity of a lifetime?
  
  And then there’s Felicity Ornquist, the lovely, feisty, winning (and married) daughter of Joe’s mentor and business partner. She has finally owned up to her feelings for Joe: she’s just been waiting for him to be available.
  
  The question Joe asks himself, over and over, is, Does he have the gumption? Does he have the smarts and the imagination and the staying power to pay attention—to Marcus and to Felicity—and reap the rewards?
  
  Good Faith captures the seductions and illusions that can seize America during our periodic golden ages (every Main Street an El Dorado). To follow Joe as he does deals and is dealt with in this newly liberated world of anything goes is a roller-coaster ride through the fun park of the 1980s. It is Jane Smiley in top form.

• Horse Heaven (2000)
  "It's not true," says a character in Jane Smiley's funny, passionate, and brilliant new novel of horse racing, "that anything can happen at the racetrack," but many astonishing and affecting things do -- and in Horse Heaven, we find them woven into a marvelous tapestry of joy and love, chicanery, folly, greed, and derring-do.

• The All-True Travels and Adventures of Lidie Newton (1998)

• Moo (1995)
  Nestled in the heart of the Midwest, amid cow pastures and waving fields of grain, lies Moo University, a distinguished institution devoted to the art and science of agriculture. Here, among an atmosphere rife with devious plots, mischievous intrigue, lusty liaisons, and academic one-upmanship, Chairman X of the Horticulture Department harbors a secret fantasy to kill the dean; Mrs. Walker, the provost's right hand and campus information queen, knows where all the bodies are buried; Timothy Nonahan, associate professor of English, advocates eavesdropping for his creative writing assignments; and Bob Carlson, a sophomore, feeds and maintains his only friend: a hog named Earl Butz. In this wonderfully written and masterfully plotted novel, Jane Smiley, the Pulitzer Prize-winning author of A Thousand Acres, offers us a wickedly funny comedy that is also a darkly poignant slice of life.

• A Thousand Acres (1991) -- Winner 1992 Pulitzer Prize for Literature
  A successful Iowa farmer decides to divide his farm between his three daughters. When the youngest objects, she is cut out of his will. This sets off a chain of events that brings dark truths to light and explodes long-suppressed emotions. An ambitious reimagining of Shakespeare’s King Lear cast upon a typical American community in the late twentieth century, A Thousand Acres takes on themes of truth, justice, love, and pride, and reveals the beautiful yet treacherous topography of humanity.

• Ordinary Love and Good Will (1989)
  From Jane Smiley, a pair of novellas chronicling difficult choices that reshape the dynamics of two very different families.
  
  In Ordinary Love, Smiley focuses on a woman’s infidelity and the lasting, indelible effects it leaves on her children long after her departure. Good Will describes a father who realizes how his son has been affected by his decision to lead a counterculture life and move his family to a farm. As both stories unfold, Smiley gracefully raises the questions that confront all families with the characteristic style and insight that has marked all of her work.

• The Greenlanders (1988)
  Pulitzer Prize winner and bestselling author Jane Smiley’s The Greenlanders is an enthralling novel in the epic tradition of the old Norse sagas.
  
  Set in the fourteenth century in Europe’s most farflung outpost, a land of glittering fjords, blasting winds, sun-warmed meadows, and high, dark mountains, The Greenlanders is the story of one family–proud landowner Asgeir Gunnarsson; his daughter Margret, whose willful independence leads her into passionate adultery and exile; and his son Gunnar, whose quest for knowledge is at the compelling center of this unforgettable book. Jane Smiley takes us into this world of farmers, priests, and lawspeakers, of hunts and feasts and long-standing feuds, and by an act of literary magic, makes a remote time, place, and people not only real but dear to us.

• Duplicate Keys (1984)
  Alice Ellis is a Midwestern refugee living in Manhattan. Still recovering from a painful divorce, she depends on the companionship and camaraderie of tightly knit circle of friends. At the center of this circle is a rock band struggling to navigate New York’s erratic music scene, and an apartment/practice space with approximately fifty key-holders. One sunny day, Alice enters the apartment and finds two of the band members shot dead. As the double-murder sends waves of shock through their lives, this group of friends begins to unravel, and dangerous secrets are revealed one by one. When Alice begins to notice things amiss in her own apartment, the tension breaks out as it occurs to her that she is not the only person with a key, and she may not get a chance to change the locks.
  
  Jane Smiley applies her distinctive rendering of time, place, and the enigmatic intricacies of personal relationships to the twists and turns of suspense. The result is a brilliant literary thriller that will keep readers guessing up to its final, shocking conclusion.

• At Paradise Gate (1981)
  In this brilliant novel, Pulitzer Prize-winning and bestselling author Jane Smiley delves into the domestic drama of the Robison family. While seventy-seven-year-old Ike Robison is dying in his bedroom upstairs, his wife defends the citadel of their marriage against an ill-considered, albeit loving, invasion by their three middle-aged daughters and their twenty-three-year-old granddaughter. Amply fulfilling the expectations raised by Smiley's other celebrated works, "At Paradise Gate" is a compelling, gracefully wrought portrait of intergenerational strife and family survival.

• Barn Blind (1980)
  The verdant pastures of a farm in Illinois have the placid charm of a landscape painting. But the horses that graze there have become the obsession of a woman who sees them as the fulfillment of every wish: to win, to be honored, to be the best. Her ambition is the galvanizing force in Jane Smiley's first novel, a force that will drive a wedge between her and her family, and bring them all to tragedy.

Non-fiction

• Thirteen Ways of Looking at the Novel (2005)
  Over an extraordinary twenty-year career, Jane Smiley has written all kinds of novels: mystery, comedy, historical fiction, epic. “Is there anything Jane Smiley cannot do?” raves Time magazine. But in the wake of 9/11, Smiley faltered in her hitherto unflagging impulse to write and decided to approach novels from a different angle: she read one hundred of them, from classics such as the thousand-year-old Tale of Genji to recent fiction by Zadie Smith, Nicholson Baker, and Alice Munro.
  
  Smiley explores–as no novelist has before her–the unparalleled intimacy of reading, why a novel succeeds (or doesn’t), and how the novel has changed over time. She describes a novelist as “right on the cusp between someone who knows everything and someone who knows nothing,” yet whose “job and ambition is to develop a theory of how it feels to be alive.”
  
  In her inimitable style–exuberant, candid, opinionated–Smiley invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft. She walks us step-by-step through the publication of her most recent novel, Good Faith, and, in two vital chapters on how to write “a novel of your own,” offers priceless advice to aspiring authors.
  
  Thirteen Ways of Looking at the Novel may amount to a peculiar form of autobiography. We see Smiley reading in bed with a chocolate bar; mulling over plot twists while cooking dinner for her family; even, at the age of twelve, devouring Sherlock Holmes mysteries, which she later realized were among her earliest literary models for plot and character.
  
  And in an exhilarating conclusion, Smiley considers individually the one hundred books she read, from Don Quixote to Lolita to Atonement, presenting her own insights and often controversial opinions. In its scope and gleeful eclecticism, her reading list is one of the most compelling–and surprising–ever assembled.
  
  Engaging, wise, sometimes irreverent, Thirteen Ways is essential reading for anyone who has ever escaped into the pages of a novel or, for that matter, wanted to write one. In Smiley’s own words, ones she found herself turning to over the course of her journey: “Read this. I bet you’ll like it.”

• A Year at the Races: Reflections on Horses, Humans, Love, Money, and Luck (2004)
  “Every horse story is a love story,” writes Jane Smiley, who has loved horses for most of her life and owned and bred them for a good part of it. To love something is to observe it with more than usual attention, and that is precisely what Smiley does in this irresistibly smart, witty, and engaging chronicle of her obsession.
  
  In particular she follows a sexy filly named Waterwheel and a grey named Wowie (he “tells” a horse communicator that he wants it changed from Hornblower) as they begin careers at the racetrack. Filled with humor and suspense, and with discourses on equine intelligence, affection, and character, A Year at the Races is a winner.

• Charles Dickens (2003)
  With the delectable wit, unforgettable characters, and challenging themes that have won her a Pulitzer Prize and national bestseller status, Jane Smiley naturally finds a kindred spirit in the author of classics such as Great Expectations and A Christmas Carol. As "his novels shaped his life as much as his life shaped his novels," Smiley's Charles Dickens is at once a sensitive profile of the great master and a fascinating meditation on the writing life.
  
  Smiley evokes Dickens as he might have seemed to his contemporaries: convivial, astute, boundlessly energetic-and lionized. As she makes clear, Dickens not only led the action-packed life of a prolific writer, editor, and family man but, balancing the artistic and the commercial in his work, he also consciously sustained his status as one of the first modern "celebrities."
  
  Charles Dickens offers brilliant interpretations of almost all the major works, an exploration of his narrative techniques and his innovative voice and themes, and a reflection on how his richly varied lower-class cameos sprang from an experience and passion more personal than his public knew. Jane Smiley's own "demon narrative intelligence" (The Boston Globe) touches, too, on controversial details that include Dickens's obsession with money and squabbles with publishers, his unhappy marriage, and the rumors of an affair.
  
  Here is a fresh look at the dazzling personality of a verbal magician and the fascinating times behind the classics we read in school and continue to enjoy today.
  
  See also Charles Dickens.

• Catskill Crafts: Artisans of the Catskill Mountains (1988)

Short Stories

• The Age of Grief (1987)
  The luminous novella and stories in The Age of Grief explore the vicissitudes of love, friendship, and marriage with all the compassion and insight that have come to be expected from Jane Smiley, the Pulitzer Prize—winning author of A Thousand Acres.
  
  In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In “Long Distance,” a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned, while maintaining the secret of his own complicated sorrow. Beautifully written, with a wry intelligence and a lively comic touch, The Age of Grief captures moments of great intimacy with grace, clarity, and indelible emotional power.

See also:

• Jane Smiley's A Thousand Acres: A Reader's Guide (2001) by Susan E. Farrell, M.D.

• Understanding Jane Smiley (1999) by Neil Nakadate
  In this comprehensive study of Jane Smiley's fiction, Neil Nakadate offers insight into the strikingly imaginative and intellectual range of a Pulitzer Prize-winning writer best known for A Thousand Acres. He provides close readings - from the early Barn Blind to The All-True Travels and Adventures of Lidie Newton - and presents the first extended account of the connections between her life and her work. Drawing on the critical record, previously unpublished interviews with the novelist, and Smiley's own prolific commentary on literature, writing, and American culture, Nakadate examines her intellectual interests, social and philosophical concerns, and penchant for taking up different creative challenges with successive books. He traces the ongoing themes of her work, including those of family, environmental integrity, social institutions, economic and political dynamics, and the efforts of women to recover their identities in an often harsh and unreceptive world. Nakadate finds that Smiley's work has been influenced by her attention to the issues and interactions of family life but also owes much to a critical intelligence that ranges adventurously across topics and disciplines.

• Writing in Flow: Keys to Enhanced Creativity (1999, 2001) by Susan K. Perry
  More than 75 best-selling and award-winning writers reveal their techniques for enhancing their writing creativity and productivity.

  • Addresses every writer's core need: to be more creative and prolific

  • Features insights from dozens of big-name writers, including Jane Smiley, Sue Grafton and more.