Works by
Lois-Ann Yamanaka
(Poet, Writer)
[September 7, 1961 - ]

• Behold the Many (2006)
  In 1913, stricken by tuberculosis, young Anah, Aki, and Leah are sent away from their family for treatment at St. Josephs, an orphanage in Hawaiis Kalihi Valley. Of the three, two will die there, and only Anah, the eldest, will survive. But the ghosts of the dead sisters will haunt Anah as she prepares to begin married life away from the orphanage. Desperate for the love of their sister, but jealous of her ability to live in the physical world, they are determined to thwart Anahs happiness. As Anah struggles to appease the dead, it becomes apparent that only through one of her own daughters can redemption be attained.

• The Heart's Language (2005) with Aaron Jasinski, Illustrator
  For one small boy, the heart's language is the only one he knows. With his heart he can speak to animals, trees, and creatures of the sea. But he cannot be understood by the people around him, even his mother and father.

• Father of the Four Passages (2001)
  Hailed by Jamie James in The Atlantic Monthly as "one of the most original voices on the literary scene," Lois-Ann Yamanaka is back with a novel about family and forgiveness. Set in Hawaii and Las Vegas, Father of the Four Passages tells the story of Sonia Kurisu, a street-wise young mother, who struggles to raise her child, Sonny Boy, as she seeks to come to terms with the three children she aborted. In sequences alternating between the past and the present, we learn of Sonia's childhood-her abandonment by her father and her mother; her contentious relationship with her sister, Celeste; her string of bad lovers; her problems with drugs and alcohol-and of her wish to reconcile with her father and make something of her life by being a good parent to her son, who has begun to show signs of developmental problems. A haunting novel about fathers, forgiveness, spirituality, and solace, Father of the Four Passages is Yamanaka's most ambitious work to date.

• Name Me Nobody (2000)
  Emi-Lou struggles to come of age in her middle school years in Hawaii.

• Heads By Harry (1998)
  You can always count on a crowd outside Heads by Harry, the Yagyuu family's taxidermy shop in Hilo, where the regulars gather every day to drink beer, eat smoked meat, and pontificate into the pau hana hours.  But above the shop, where the family lives, life isn't so predictable. Toni Yagyuu, the middle child, has enough on her hands dealing with her budding diva of a little sister.  But it is the men in her life that really have her running in circles: a flamboyant older brother who wants to be a hairdresser, a stubborn father who refuses to accept her into the family business, and the Santos brothers--two pig-hunting, ex-high school football players who don't know what to think of their headstrong, outspoken neighbor.  Young adult.

• Blu's Hanging (1997)
  On the Hawaiian island of Molokai, life goes on for the three young Ogata children after the death of their mother and subsequent emotional withdrawal of their grief and guilt-stricken "Poppy." The eldest at 13, Ivah is now responsible for the safety and well-being of tiny Maisie, vulnerable and mute since their mother's passing; and for Blu, her uncontainable brother whose desperate need for love has made him vulnerable to the most insidious of relationships.
  
  On the Hawaiian island of Molokai, life goes on for the three young Ogata children after the death of their mother and subsequent emotional withdrawal of their grief and guilt-stricken "Poppy." The eldest at 13, Ivah is now responsible for the safety and well-being of tiny Maisie, vulnerable and mute since their mother's passing; and for Blu, her uncontainable brother whose desperate need for love has made him vulnerable to the most insidious of relationships.

• Wild Meat and the Bully Burgers (1996)
  Her name is Lovey Nariyoshi, and her Hawai'i is not the one of leis, pineapple, and Magnum P.I. In the blue collar town of Hilo, on the Big Island, Lovey and her eccentric Japanese-American family are at the margins of poverty, in the midst of a tropical paradise. With her endearing, effeminate best friend Jerry, Lovey suffers schoolyard bullies, class warfare, Singer sewing classes, and the surprisingly painful work of picking on a macadamia nut plantation, all while trying to find an identity of her own. At once a bitingly funny satire of haole happiness and a moving meditation on what is real, if ugly at times, but true, Wild Meat and the Bully Burgers crackles with the language of pidgin--Hawai'i Creole English--distinguishing one of the most vibrant voices in contemporary culture.Stories from this enduring novel have been adapted into the film Fishbowl, by groundbreaking director Kayo Hatta.

• Saturday Night at the Pahala Theatre (1993)
  Verse novella written in Hawaiian Pidgin.

See also:

• Conjunctions (2003), Bradford Morrow and Howard Norman, eds.
  In celebration of Conjunctions' 40th issue, the journal has gathered together fiction, poetry, plays, and creative essays by some of its favorite contemporary writers. Featuring novels in progress from authors including Richard Powers, Howard Norman, Paul Auster, and Lois-Ann Yamanaka, as well as "Heli," a surreal novella by China's foremost fiction writer, Can Xue, in which a boy falls in love with a girl who lives entrapped in a glass cabinet from which he must free her. Short fiction by writers such as Rikki Ducornet, William T. Vollmann, William H. Gass and Diane Williams appears, in addition to "Condition," a harrowing story by Christopher Sorrentino, based on historical events from the 1970s, charting the psychological disintegration of a female newscaster who, on her last day alive, methodically plots her suicide on live TV. 40x40 also features creative nonfiction by David Shields and Eliot Weinberger, poetry by Cole Swensen, Martine Bellen, John Ashbery, Lyn Hejinian, and Robert Creeley, and a visual poem by Tan Lin. Rounding out this diverse celebration of contemporary work is a previously unpublished play by Joyce Carol Oates, specially commissioned for this anniversary issue, and a lively full-color portfolio of new work by Russian emigr artist Ilya Kabakov.