Works by
Norman Green
(Writer)

The Last Gig (2009)
A teenage runaway from the Brownsville projects, Alessandra Martillo lived with an indifferent aunt who had taken her in when her mother killed herself, and later, after more than a year on the streets, a caring uncle found her, took her in, and showed her she had a chance. That was many years ago, and now Alessandra’s all grown up, working for a sleazy P.I., repossessing cars, and trolling for waitstaff on the take.  The cases aren’t glamorous, or interesting, but the work pays the bills.  And she’s good at it---if there’s one thing she’s learned since leaving the streets, it’s how to take care of herself around life’s shadier elements.

When an Irish mobster named Daniel “Mickey” Caughlan thinks someone on the inside of his shipping operation is trying to set him up for a fall, it’s Al he wants on the job.  She’s to find the traitor and report back.  But just a little digging shows it’s more complicated than a simple turncoat inside the family; Al’s barely started on the case when she runs into a few tough guys trying to warn her away.  Fools.  As if a little confrontation wouldn’t make her even more determined.

Norman Green, critically acclaimed author of four crime novels, debuts a fresh, edgy character in the streetwise Alessandra Martillo, a female take on the P.I.s of yesteryear.  Tough as nails and sometimes heartless, smart and altogether too brave for her own good, Al is one of the most interesting lead characters to hit crime fiction in years.

Dead Cat Bounce: A Novel (2006)
Stoney gave up drinking, but it couldn't save his marriage. Leaving the big house in New Jersey to his wife and kids, he's living in the City—still working the profitable, if not 100 percent legal, angles with his partner, "Fat Tommy Bagadonuts." Then, out of the blue, Stoney's teenage daughter shows up with a problem: an unwanted admirer who needs to be cooled down . . . or eliminated.

But the secrets Marisa's been keeping from her father—like her night job as an exotic dancer—can't compare with those being guarded by the mysterious and violent man who's stalking her: a dangerous enigma with no past and a made-up name. He does, however, have lots of money—which makes him a very tempting mark for Stoney, Tommy, and their young streetwise "apprentice," Tuco. But people who look too closely into this guy's history have a habit of turning up dead.

Way Past Legal (2004)
You never know, when it happens, what's going to change your life, what's going to bounce you out of the rut you've been in, send you flying off in some new direction.

Manny's latest score left him with more money than he's ever dreamed of, but with money comes danger -- from his partner, Rosey, who might get greedy, and from the Russian mobsters they stole it from. Worse, if he's busted again, he'll go back to prison for life, leaving his motherless five-year-old son, Nicky, still trapped in the foster care system.

With the kind of guts born of panic and desperation, Manny grabs his son and heads for the wilds of Maine. When he discovers that the bad guys are on his trail, his impulse is, as usual, to run. But the people he's met in Maine -- including the local police chief -- have become his unlikely friends and an unlikely surrogate family to his boy. Now they're all in danger, and it's because of him. Does Manny have what it takes to change his street-tough ways and become a real father to Nicky? And does he dare to settle into a new life, putting at stake the safety of everyone he has come to love?

Norman Green presents a gripping portrait of a man trying to break out of the stranglehold of a life of crime and create a future for himself and his son.

Shooting Dr. Jack (2006)
Violence is no stranger to Brooklyn's Troutman Street, a place where whores, junkies, businesses, cars, and dreams go to die. But here, in a junkyard on Troutman Street, three men search for redemption.

Stoney wakes up with a hangover every morning. He loves his family, but they're terrified of him. One more DWI and he'll do time that he can't afford. His partner Tommy would run their "business" right into the ground -- or make them a fortune; no way to tell which.

Tommy Roselli, a.ka. "Fat Tommy," a.ka. "Tommy Bagadonuts" knows the best restaurants in New York and how much to tip the maître d' in each one. He knows who to call if he really wants you sleeping with the fishes. If you met Tommy, you'd remember him. But he'd remember you, your phone number, your wife's name, and what his chances with her are.

Tuco has a gift, one that will come in handy for Stoney and Tommy when people start dying on Troutman Street. But as he learns to use it -- struggling to walk the line between family, friends, and the law -- he almost forgets the first rule of Troutman Street: Watch your back.

The Angel of Montague Street (2003)
In the fall of '73, Brooklyn, New York, is home to worn-down hotels, wiseguys, immigrants, the disturbed, the disenfranchised, and a few people just trying to make an honest buck. When Silvano Iurata's troubled brother, Noonie, rumored to be living in Brooklyn Heights, goes missing, Silvano returns to a place he swore he'd never set foot in again.

Silvano left Brooklyn a long time ago -- wanting to leave behind his family and their seedy mob connections, and a past that just won't stay buried. The jungles of Viet Nam felt more hospitable to him than his own hometown; now that he's back, he doesn't intend to stay for long. His cousin Domenic has harbored a deadly grudge against him for something that happened when they were teenagers, but they aren't kids anymore, and his cousin has some dangerous friends. Silvano needs to find out what happened to his brother and get out -- fast.

A tale of revenge and redemption, The Angel of Montague Street has the same vivid characters, razor-sharp detail, and dead-on dialogue that made Norman Green's debut novel, Shooting Dr. Jack, an unforgettable snapshot of life on the streets of Brooklyn. With its perceptive, poignant heart and gripping plot, this is literary suspense at its best.