Works by
Zora Neale Hurston
(Writer)
[1891 - 1960]

Books

• Sweat (1926)

• The Gilded Six-Bits (1933)

• Jonah's Gourd Vine (1934)
  The first novel by the noted black novelist, folklorist, and anthropologist. Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."

• Mules and Men (1935)
  Mules and Men is the first great collection of black America's folk world. In the 1930's, Zora Neale Hurston returned to her "native village" of Eatonville, Florida to record the oral histories, sermons and songs, dating back to the time of slavery, which she remembered hearing as a child. In her quest, she found herself and her history throughout these highly metaphorical folk-tales, "big old lies," and the lyrical language of song. With this collection, Zora Neale Hurston has come to reveal'and preserve'a beautiful and important part of American culture.

• Tell My Horse: Voodoo and Life in Haiti and Jamaica (1937)
  As a first-hand account of the weird mysteries and horrors of voodoo, Tell My Horse is an invaluable resource and fascinating guide. Based on Zora Neale Hurston's personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of ceremonies and customs and superstitions of great cultural interest.

• Their Eyes Were Watching God (1937)
  Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person -- no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.

• Moses, Man of the Mountain (1939)
  In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses' life from the day he Is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation into the heroic rebel leader, the Great Emancipator. From his dramatic confrontations with Pharaoh to his fragile negotiations with the wary Hebrews, this very human story is told with great humor, passion, and psychological insight--the hallmarks of Hurston as a writer and champion of black culture.

• Dust Tracks on a Road: An Autobiography (1942)
  t published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, funny, bold, and poignant autobiography, an imaginative and exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's very personal literary self-portrait offers a revealing, often audacious glimpse into the life -- public and private -- of an extraordinary artist, anthropologist, chronicler, and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high, Dust Tracks on a Road is a rare treasure from one of literature's most cherished voices.

• Seraph on the Suwanee (1948)
  This novel of turn-of-the-century white "Florida Crackers" marks a daring departure for the author famous for her complex accounts of black culture and heritage. Full of insights into the nature of love, attraction, faith, and loyalty, Seraph on the Suwanee is the compelling story of two people at once deeply in love and deeply at odds. The heroine, young Arvay Henson, is convinced she will never find true love and happiness, and defends herself from unwanted suitors by throwing hysterical fits and professing religious fervor. Arvay meets her match, however, in handsome Jim Meserve, a bright, enterprising young man who knows that Arvay is the woman for him, and refuses to allow her to convince him otherwise. With the same passion and understanding that have made Their Eyes Were Watching God a classic, Hurston explores the evolution of a marriage full of love but very little communication and the desires of a young woman In search of herself and her place in the world.

• I Love Myself When I Am Laughing... And Then Again: A Zora Neale Hurston Reader (1979)
  The most prolific African-American woman author from 1920 to 1950, Hurston was praised for her writing and condemned for her independence, arrogance, and audaciousness. This unique anthology, with 14 superb examples of her fiction, journalism, folklore, and autobiography, rightfully establishes her as the intellectual and spiritual leader of the next generation of black writers. In addition to six essays and short stories, the collection includes excerpts from Dust Tracks on the Road; Mules and Me; Tell My Horse; Jonah's Gourd Vine; Moses, Man of the Mountain; and Their Eyes Were Watching God. The original commentary by Alice Walker and Mary Helen Washington, two African-American writers in the forefront of the Hurston revival, provide illuminating insights into Hurston-the writer, the person-as well as into American social and cultural history.

• The Sanctified Church (1981)

• Spunk: The Selected Stories of Zora Neale Hurston (1985) (See also George C. Wolfe)

• Every Tongue Got to Confess: Negro Folk-tales from the Gulf States (1991)
  Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tales -- which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners -- reveal attitudes about faith, love, family, slavery, race, and community. Together, this collection of nearly 500 folktales weaves a vibrant tapestry that celebrates African American life in the rural South and represents a major part of Zora Neale Hurston's literary legacy.

• Zora Neale Hurston: Novels and Stories (1995), Cheryl Wall, ed.
  When she died in obscurity in 1960, all her books were out of print. Now, Zora Neale Hurston is recognized as one of the most important and influential modern American writers. This volume, with its companion, "Zora Neale Hurston: Folklore, Memoirs, and Other Writings," brings together for the first time all of Hurston's best works in one authoritative set. It features the acclaimed 1937 novel "Their Eyes Were Watching God," a lyrical masterpiece about a woman's struggle for love and independence. "Jonah's Gourd Vine," based on the story of Hurston's parents, details the rise and fall of a preacher torn between spirit and flesh. "Moses, Man of the Mountain" is a high-spirited retelling of the Exodus story in black vernacular. "Seraph on the Suwanee" portrays the passionate clash between a poor southern "cracker" and her willful husband. A selection of short stories further displays Hurston's unique fusion of folk traditions and literary modernism--comic, ironic, and soaringly poetic.

• The Complete Stories (1996)

• Barracoon (1999)

Plays

• Mule Bone: A Comedy of Negro Life in Three Acts (1931) with Langston Hughes
  Mule Bone is the only collaboration between Zora Neale Hurston and Langston Hughes, two stars of the Harlem Renaissance, and it holds an unparalleled place in the annals of African-American theater. Set in Eatonville, Florida--Hurston's hometown and the inspiration for much of her fiction--this energetic and often farcical play centers on Jim and Dave, a two-man song-and-dance team, and Daisy, the woman who comes between them. Overcome by jealousy, Jim hits Dave with a mule bone and hilarity follows chaos as the town splits into two factions: the Methodists, who want to pardon Jim; and the Baptists, who wish to banish him for his crime.
  
  Included in this edition is the fascinating account of the Mule Bone copyright dispute between Hurston and Hughes that ended their friendship and prevented the play from being performed until its debut production at the Lincoln Center Theater in New York City in 1991--sixty years after it was written. Also included is "The Bone of Contention," Hurston's short story on which the play was based; personal and often heated correspondence between the authors; and critical essays that illuminate the play and the dazzling period that came to be known as the Harlem Renaissance.

See also:

• The Best Short Stories by Black Writers, 1899-1967 (1969), Langston Hughes, ed.
  Includes works by Alice Walker, Frank Yerby, Gwendolyn Brooks, James Baldwin, Paul Laurence Dunbar, Ralph Ellison, Richard Wright, Zora Nehalem Hurston, and others.

• Zora Neale Hurston: A Literary Biography (1977) by Robert E. Hemenway

• Zora Neale Hurston (1986) by Harold Bloom

• Spunk (1989) by George C. Wolfe
  Adaptation of three Zora Neale Hurston stories.

• Great Short Stories by American Women (1996), Candace Ward, ed.
  Choice collection of 13 stories includes "Life in the Iron Mills" by Rebecca Harding Davis, Zora Neale Hurston's "Sweat," plus superb fiction by Kate Chopin, Willa Cather, Edith Wharton,

• Struggles Over the Word: Race and Religion in O'Connor, Faulkner, Hurston, and Wright (2001) by Timothy P. Caron
  This literary critical study counters the usual tendency to segregate Southern literature from African American literary studies. Noting that William Faulkner and Flannery O'Connor are classified as Southern writers, whereas Zora Neale Hurston and Richard Wright are considered black authors, Timothy P. Caron argues for "an integrated study of the South's literary culture." He shows that the interaction of Southern religion and race binds these four writers together. Caron broadens our understanding of Southern literature to include both white and African American voices.

• Wrapped in Rainbows: The Life of Zora Neale Hurston (2002) by Valerie Boyd

• The Three Witches (2006) by Faith Ringgold
  The Three Witches was first published in Every Tongue Got to Confess: Negro Folk-tales from the Gulf States, the third volume of folklore collected by Zora Neale Hurston while traveling in the Gulf States in the 1930s. It has been adapted for young people by National Book Award winner Joyce Carol Thomas. The vibrant paintings have been masterfully executed by internationally celebrated artist Faith Ringgold.

• Wild Women And Books: Bibliophiles, Bluestockings, & Prolific Pens from Aphra Ben to Zora Neale Hurston and From Anne Rice To the Ya-Ya Sisterhood (2006) by Brenda Knight

• Resisting History: Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty (2007) by Barbara Ladd
  See also Eudora Welty, William Faulkner, and Zora Neale Hurston.