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| Works by
Gregory Corso (Poet)
[March 26, 1930 – January 17, 2001] |
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Profile created January 28, 2008
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The American Express (1961)
Beat poet Corso's only novel. Inspired by his days
in Europe, anxiously waiting for royalty checks and advances that were
slow to appear, this freewheeling and farcical tale is the account of a
birth in AmEx, and what came of it. With illustrations by the author.
First published 1961 as No. 85 in the Traveller's Companion Series. First
American publication.
The Vestal Lady On Brattle and Other Poems (1955)
Gasoline (1958)
Bomb (1958)
Happy Birthday of Death (1960)
Minutes to Go (1960) by
Brion Gysin,
Gregory Corso, Sinclair Beiles,
and William S. Burroughs
Long Live Man (1962)
Poetry that jubilates over being a "(hu-)man, Alive,
here in the moment".
The Geometric Poem (1966)
A long experimental poem, composite of many lines and angles selective.
The Minicab War (1966)
10 Times a Poem (1967)
Collected at random from two suitcases filled with poems, the gathering of
five years.
Planet Earth Is Much More Farout Than the Human Brain (1969)
Elegiac Feelings American (1970)
[Ankh] (1971)
Phoenix Book Shop Oblong Octavo Series, No. 13.
Earth Egg (1974)
The Japanese Notebook Ox (1974)
Gasoline & the Vestal Lady on Brattle (1981)
Herald of the Autochthonic Spirit (1981)
Poetry heralding "the ivory applecart of tyrannical values".
Wings, Wands, Windows (1981)
Writings from Ox (1981)
Poem (1982)
Mindfield: New and Selected Poems
(1989)
New rare sketches and notes from the author's
personal journal, forewords from two of the world's leading poets of the
Beat Generation and an introduction by David Amram, the man who
collaborated with Jack Kerouac in the
first-ever-live poetry reading in 1957, are collected here for the first
time, in this revised and unique edition of Mindfield. This poetry
is an affront to all that limits, restrains or frightens. "Death I
unsalute you," Gregory declares. Beyond energy and sheer brilliance, these
poems offer the wisdom of a man unstuck, and a mind content with the
freedom of knowing truth without being afraid of it.
-
The Three Angels (2001) by
Allen Ginsberg,
Gregory Corso, and
Peter Orlovsky
-
Bald Ego No. 2 (2004), Max Blagg,
ed.
With works by Cecily Brown, Glenn O'Brien;
Gregory Corso, John Godfrey, Keith Sonnier,
Lynne Tillman, and Paul Cezanne; and Larry Clark, Muriel Vega, and Shawn
Mortenson, Photographers
The Ballgame's Over: The Dialogues of Gregory Corso & Tom Clark on The Great Naropa Poetry Wars
(1981) by Tom Clark
Gregory Corso (1982) by Gavin
Selerie
Exiled Angel: A Study of the Work of Gregory Corso
(1989) by Gregory Stephenson
Clown in a Grave: The Complexities and Tensions in the Works of Gregory Corso (1999) by Michael Skau
Gregory Corso (2000) by Jak
Neumirat
The Beat Hotel: Ginsberg, Burroughs, and Corso in Paris, 1958-1963
(2000) by Barry Miles
See also
Allen Ginsberg
and William S. Burroughs.
For Gregory Corso (2001) by
Robert Creeley
Gregory Corso: Doubting Thomist (2002)
by Kirby Olson
An Accidental Autobiography: The Selected Letters of Gregory Corso (2003), Bill Morgan, ed.
Fabulous letters from the vagabond Beat poet to his
friends—among them Allen Ginsberg
and Lawrence Ferlinghetti.
For all his charm and intelligence poet Gregory
Corso lived a vagabond life. He never held down a regular job. He
rarely stayed very long under the same roof. He spent long stretches—some
as long as four or five years—abroad. Many of his letters came from
Europe—France, England, Germany, Italy, Sweden, Greece—as he kept in touch
with his circle of friends—among them his best friend Allen Ginsberg and a
steady supporter, Lawrence Ferlinghetti. He left (or was left by) a number
of girlfriends and he fathered five children along the way. He was apt to
raise a bit of a ruckus at poetry readings and other public events. No one
could be sure what he might do next except that he would write poetry and
get it published and that it would be widely read.
When the idea of a book of selected letters was first proposed, Gregory
had some reservations about it. Would the book reveal too much of his
private life? But then with typical hubris he said the equivalent of "let
it all hang out" and "all" does hang out in An Accidental Autobiography.
The book is indeed the next thing to an unplanned self-portrait and gives
a lively sense of the life Gregory Corso led, marching to his own drummer
and leaving in his wake such marvelous books of Beat poetry as The Happy
Birthday of Death, Elegiac Feelings American, Long Live Man, and Herald of
the Autochthonic Spirit.
Bill Morgan, who is extremely conversant with the Beats, has done an
admirable job collecting letters from libraries and various individuals
across the country and then selecting and organizing them in a progression
that spans Corso's lifetime. In addition to Morgan's introduction and
commentary, the book includes a special foreword by poet and rock star
Patti Smith as well as a number of photographs.
Elegies: For Jack Kerouac and Gregory Corso
(2005) by Barry Gifford
Elegies is a set of two individual poetry broadsides
by Barry Gifford written as elegies to Beat Generation writers
Jack Kerouac and
Gregory Corso: 1. "On Viewing the Manuscript Scroll of Jack
Kerouac's On The Road in the Tosca Bar, San Francisco" - 2. "Small Elegy
For Corso". The two broadsides are printed on card stock and measure
approx 5" x 11". They are housed in a three panel folder with a diecut
cover that is signed by Barry Gifford. Enclosed in a slipcase style
envelope with linoleum block design. One of 200 copies printed by Jim Camp
at Synaesthesia Press.
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