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Works by
Gregory Corso
(Poet)
[March 26, 1930 – January 17, 2001]

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Profile created January 28, 2008
Fiction
  • The American Express (1961)
    Beat poet Corso's only novel. Inspired by his days in Europe, anxiously waiting for royalty checks and advances that were slow to appear, this freewheeling and farcical tale is the account of a birth in AmEx, and what came of it. With illustrations by the author. First published 1961 as No. 85 in the Traveller's Companion Series. First American publication.

Poetry
Other
  • The Three Angels (2001) by Allen Ginsberg, Gregory Corso, and Peter Orlovsky

  • Bald Ego No. 2 (2004), Max Blagg, ed.
    With works by Cecily Brown, Glenn O'Brien;  Gregory Corso, John Godfrey, Keith Sonnier, Lynne Tillman, and Paul Cezanne; and Larry Clark, Muriel Vega, and Shawn Mortenson, Photographers

See also:
  • The Ballgame's Over: The Dialogues of Gregory Corso & Tom Clark on The Great Naropa Poetry Wars (1981) by Tom Clark

  • Gregory Corso (1982) by Gavin Selerie

  • Exiled Angel: A Study of the Work of Gregory Corso (1989) by Gregory Stephenson

  • Clown in a Grave: The Complexities and Tensions in the Works of Gregory Corso (1999) by Michael Skau

  • Gregory Corso (2000) by Jak Neumirat

  • The Beat Hotel: Ginsberg, Burroughs, and Corso in Paris, 1958-1963 (2000) by Barry Miles
    See also Allen Ginsberg and William S. Burroughs.

  • For Gregory Corso (2001) by Robert Creeley

  • Gregory Corso: Doubting Thomist (2002) by Kirby Olson

  • An Accidental Autobiography: The Selected Letters of Gregory Corso (2003), Bill Morgan, ed.
    Fabulous letters from the vagabond Beat poet to his friends—among them Allen Ginsberg and Lawrence Ferlinghetti.
    For all his charm and intelligence poet Gregory Corso lived a vagabond life. He never held down a regular job. He rarely stayed very long under the same roof. He spent long stretches—some as long as four or five years—abroad. Many of his letters came from Europe—France, England, Germany, Italy, Sweden, Greece—as he kept in touch with his circle of friends—among them his best friend Allen Ginsberg and a steady supporter, Lawrence Ferlinghetti. He left (or was left by) a number of girlfriends and he fathered five children along the way. He was apt to raise a bit of a ruckus at poetry readings and other public events. No one could be sure what he might do next except that he would write poetry and get it published and that it would be widely read.

    When the idea of a book of selected letters was first proposed, Gregory had some reservations about it. Would the book reveal too much of his private life? But then with typical hubris he said the equivalent of "let it all hang out" and "all" does hang out in An Accidental Autobiography. The book is indeed the next thing to an unplanned self-portrait and gives a lively sense of the life Gregory Corso led, marching to his own drummer and leaving in his wake such marvelous books of Beat poetry as The Happy Birthday of Death, Elegiac Feelings American, Long Live Man, and Herald of the Autochthonic Spirit.

    Bill Morgan, who is extremely conversant with the Beats, has done an admirable job collecting letters from libraries and various individuals across the country and then selecting and organizing them in a progression that spans Corso's lifetime. In addition to Morgan's introduction and commentary, the book includes a special foreword by poet and rock star Patti Smith as well as a number of photographs.

  • Elegies: For Jack Kerouac and Gregory Corso (2005) by Barry Gifford
    Elegies is a set of two individual poetry broadsides by Barry Gifford written as elegies to Beat Generation writers Jack Kerouac and Gregory Corso: 1. "On Viewing the Manuscript Scroll of Jack Kerouac's On The Road in the Tosca Bar, San Francisco" - 2. "Small Elegy For Corso". The two broadsides are printed on card stock and measure approx 5" x 11". They are housed in a three panel folder with a diecut cover that is signed by Barry Gifford. Enclosed in a slipcase style envelope with linoleum block design. One of 200 copies printed by Jim Camp at Synaesthesia Press.

 
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