Works by
Douglas A. Martin
(Writer)

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Profile created June 9, 2008
[September 29, 1973 - ]

Fiction

Non-fiction

Plays

Poetry

Young Adults

Cards

Movies

Music

Tapes

Video/DVD

Other

See also

Fiction

Your Body Figured (September 1, 2008 release)
In Your Body Figured, Douglas A. Martin presents the reader with three prose pieces, each focused on an artist: the painter Balthus, the poet Hart Crane, and finally the Irish painter Francis Bacon as seen through his relationship with model and muse, George Dyer. Each section is a meditation on the relationship between art and life, artist and model, subject and object--evidence of the troubled landscape at the core of human desire and creative production. Martin reaches out to the reader through his near-incantatory use of the second person point-of-view, so that one constantly feels called upon to respond, to return to the text. Evoking a myriad of twentieth century writers--Kathy Acker, Marguerite Duras, Andre Gide, among others--Martin's work breaks from perceived form to create a trilogy of serial narratives that bring the life of the modern artist up against the limits of the body and language.
Branwell: A Novel of the Bronte Brother (2006)
A gifted artist and writer, Branwell Bronte, an only son, is expected to make the family fortune and distinguish the Bronte name. Instead, he dies at 31 from alcohol and opium abuse. Painstakingly tutored at home by his father, Branwell and his sisters write endless stories about imaginary worlds far from their bleak parsonage home. As his sisters spin the stories that will immortalize them, Branwell sinks under the weight of great expectations. With language as rich and dark as the moors of Wuthering Heights and Jane Eyre, Douglas A. Martin probes the locus where history and myth collide, and uncovers Branwell’s lost loves, thwarted talent, and possible homosexuality. Maintaining the haunting quality of childhood memory throughout, Bronte Boy is a genre-bending exploration of the tragic figure of Branwell Bronte and the dismal, dazzling landscape that inspired his sisters to greatness.
Outline of My Lover (2000)
Part love story, part indictment, debut novel Outline of My Lover traces our society's damaging obsession with celebrity.

In the sleepy town of Athens, Georgia, a young man goes off to a college miseducation and is drawn into a world of rich vicarious living. The unspoken relationship between this adolescent and his luminous rock star boyfriend fast becomes the marking tale of world tours and plush continental hotel rooms. However, the relationship falters under celebrity's harsh, shape-shifting light. Real life fills in the outline of the boy's expectations.

Non-fiction

Plays

Poetry

In the Time of Assignments (2008)
In the Time of Assignments transforms a decade’s worth of feeling into a lyrical collection of verse. Readers familiar with Martin’s work will find a repurposing and revelation of the foundations for his prior experiments in prose. The work is divided into three parts, each with a geographical marker indicating the narrator’s evolving identity, from the formative, Red State landscape that colors the first section through the widening horizons, growing sexual awareness, and crush of experience found in the final two. The beautifully fragmentary narrative exhibited in Martin’s novels takes hold here in long, poetic sequences and angled interludes; lyric is the steady underpinning.

Short Stories

They Change the Subject (2005)
Treacherously comic and poignant, the autobiographical stories in They Change the Subject follow a young man’s quest for identity through love and desire. Sustained by a single voice, the stories simultaneously offer a fractured novel and stand, powerfully, on their own. At the center of each tale is the heightened, visceral possibility of unexpected emotional encounters—from an escort’s dates in Manhattan hotels to a photo shoot that doubles as seduction. Always pushing toward a bigger shiver of passion, Martin’s young-man-on-the-make learns how to adapt his persona to suit his lovers’ needs and tries to embrace his own experience—and his self—by becoming the purest object of desire.